Keep KISSing In 2016
Much of the best work we did this year had this in common: direct, evocative writing. Editors have long said it’s best to “keep it simple, stupid.” That’s not as easy as it sounds. But, we’ve often done it well. Here are six examples, in no particular order. Many more could be listed. Thanks go out to correspondents and editors who craft lines such as these every day:
– Julie McCarthy describing an earthquake survivor in Nepal: “A physician from Doctors Without Borders hovers over Aitimaya, inspecting her head injury while an IV drains into her bony arm. Stretched out on a dirty mattress, the only motion she can muster is a limp swat at the flies.”
– Gene Demby on the disturbing reason he and two friends (“black journos,” as Gene wrote) were having dinner in St. Louis: “We weren’t gathered for a birthday, or happy hour, but because a young black man’s body had lain out for four hours on a sweltering street.”
– Robert Siegel reflecting on the Nov. 13 terror attacks in Paris: “No one ever summed up the French Enlightenment by saying: ‘I disapprove of what you order at the cafe, but I will defend to the death your right to order it.’ But what happened here shows there is a real connection between big ideas about freedom and small, casual acts of friendship and recreation. One person publishing a biting satire and another reacting to it over a bite at the bistro are two sides of the same coin. The gunmen and suicide bombers who came here claiming divine authority understood that. The guns that were aimed at the few in January were fired without distinction in November. Everyone was a target. The French are Charlie. And in their grief, they need no reminding of it.”
– Lourdes Garcia-Navarro, Tyler Fisher, Kainaz Amaria, Lauren Migaki, Claire O’Neill, Wes Lindamood and Becky Lettenberger on a fascinating “Look At This” digital trip to the Amazon. It begins with two simple sentences that draw visitors right in: “You were taught in school that the rain forest is like the lungs of our planet. It’s not that simple.” The lines that follow on the other images are all examples of spare, compelling storytelling.
– Jasmine Garsd on why it’s significant that Ruben Blades’ character in Fear The Walking Dead isn’t another Latin American stereotype and is revealing the scars many Latin Americans bear: “Here’s what’s important about discussing our historical wounds and our cultural fears: rather than divide us, they bring us closer to one another. Sometimes, they highlight the fact that we all have the capacity to be monsters.”
– Wade Goodwyn, summing up a performance by opera singer Frederica von Stade and a choir of homeless people: “It was an evening they said they’d remember the rest of their lives. For a night, two dozen of Dallas’s homeless were lifted from the city’s cold streets and sidewalks to bask in the warm glow of spotlights. For the usual hostility and indifference to their fate, they were traded love, respect and goodwill — one performance only.
Jonathan Kern advised in Sound Recording that “the goal is to write the way you wish you could speak — or the way you speak on your best day, when you’ve had just the right amount of caffeine and sleep.” He recommended “short, repetitive sentences.”
It looks like we’re still heeding Jonathan’s advice.
(Memmos; Dec. 29, 2015)
December 29, 2015